Post by shakhar24 on Feb 28, 2024 11:27:42 GMT
The old concept of the alliance of work forces and culture that is attributed to Santiago Carrillo from Gijón when he was general secretary of the PCE, back in , a concept that is reiterated in the book published by Armando López Salinas in , in full emergence of the predominant current among the non-social democratic left, in the version called Eurocommunism, to which was added what was much more “affordable” such as socialism in freedom , it seems that it has revived, at least in Asturias, these days . In fact, as the Asturian digital magazine Nortes headlines " The alliance of the forces of work and culture was reborn on Tuesday the rd in Asturias", the date on which three Asturian cultural associations of undoubted prestige and historical projection such as the Gijón Cultural Society and the Asociación Amigos de Mieres, both born in under the Associations Law of , by the then Minister of Information and Tourism Manuel Fraga, and in which, according to Paco Faraldo ( Asociación Amigos de Mieres.
Popular culture and fight for democracy in Asturias; ), “a slot opens up that allows, with all its limitations, to create cultural platforms in which the most dynamic and progressive sectors of society develop activities linked to the interests of the majority C Level Executive List of the population.” ” and La Ciudadana, Cultural Association of Oviedo , more recently created, but which has its origins in another Association created under the aforementioned law and which was very well received in the progressive environment of Oviedo such as the Cultural Club. Well, these three cultural associations have joined the two Asturian majority unions CC.OO. and UGT to confirm that this alliance is aimed at shouting with one voice that “ labor reform , in this country, is synonymous with cuts in rights for the working class, devaluation of salaries, precariousness in labor relations, since unequal in themselves.
It is not up to the person signing this article to chronicle the event, since professionals much more knowledgeable than me will do so in the different written, oral, digital or analog media that correspond. What I would like to highlight in this article is that the collusion of culture – work, the syntax of popular culture – labor rights came together on a winter Tuesday in the Philharmonic Theater (full of people) in a bourgeois city like Oviedo (if Well, as Pedro Durán said, there is also another more populous Oviedo , but with an anchorage of working-class culture to which it is subjected to the pressure of territories with a strong industrial presence, whether in decline, as in the case of the mining basins, or still active, such as those in Avilés and Gijón. The objective that this quote demanded of us was very clear: We are witnessing a time of profound changes in our society. In recent years we have suffered a financial crisis and a pandemic, both worldwide.
Popular culture and fight for democracy in Asturias; ), “a slot opens up that allows, with all its limitations, to create cultural platforms in which the most dynamic and progressive sectors of society develop activities linked to the interests of the majority C Level Executive List of the population.” ” and La Ciudadana, Cultural Association of Oviedo , more recently created, but which has its origins in another Association created under the aforementioned law and which was very well received in the progressive environment of Oviedo such as the Cultural Club. Well, these three cultural associations have joined the two Asturian majority unions CC.OO. and UGT to confirm that this alliance is aimed at shouting with one voice that “ labor reform , in this country, is synonymous with cuts in rights for the working class, devaluation of salaries, precariousness in labor relations, since unequal in themselves.
It is not up to the person signing this article to chronicle the event, since professionals much more knowledgeable than me will do so in the different written, oral, digital or analog media that correspond. What I would like to highlight in this article is that the collusion of culture – work, the syntax of popular culture – labor rights came together on a winter Tuesday in the Philharmonic Theater (full of people) in a bourgeois city like Oviedo (if Well, as Pedro Durán said, there is also another more populous Oviedo , but with an anchorage of working-class culture to which it is subjected to the pressure of territories with a strong industrial presence, whether in decline, as in the case of the mining basins, or still active, such as those in Avilés and Gijón. The objective that this quote demanded of us was very clear: We are witnessing a time of profound changes in our society. In recent years we have suffered a financial crisis and a pandemic, both worldwide.